by Moira Buffini

A scene from Dinner

Photos by Joe Brown

Tue 2 - Sat 6 May 2017 at 7.30pm
The Playhouse Theatre, Clare Street, Northampton NN1 3JA


Waiter David Chappell
Paige Gemma Knight
Lars Andy Rowe
Wynne Victoria Miles
Hal Matthew Fell
Sian Katy Corrie
Mike Chris East

Director Tamsyn Payne
Assistant Director Alex Rex
Set Design Emma Barrow
Technical Megan Lucas
Hair & Wigs Sidone McDowell
Photography Joseph Brown
Stage Management, Prop Making,
The Creative Team
Box Office & Front of House Masque Theatre members


Review: 'Voyeuristic guests at the dinner party from hell'

Bev Webster | Masque Theatre member

An open curtain as the audience entered revealed a pristine dinner table and impressive chandelier. The background music put us at ease and all seemed set for a pleasant evening, but appearances can be deceptive and we were in fact voyeuristic guests at the dinner party from hell.

Hosted by Paige, a self confessed "rich bitch" with time on her hands to plan the soiree in infinitesimal detail (played with relish by Gemma Knight, in a gravity defying “hostess with the mostest" red dress) her first encounter is with the waiter (a mostly silent David Chappell) who lingers attentively at the back of the stage for the majority of the evening

We discover that he has been hired from an obscure website and wonder quite exactly what his services extend to when Paige hands him an envelope stuffed with money as his upfront payment.

After this moment of absolute control, on the entry of her husband Lars, Paige descends into An anxious state awaiting the arrival of her guests. Lars (a laid back Andy Rowe) is in contrast more chilled out than the copious wine that flows freely throughout the evening. Perhaps this is due to his philosophy of following his "psyche-drive" the espousal of which via his book “Beyond Belief" has won him popular acclaim and its success is the reason for this dinner party.

A scene from Dinner

Delightfully dippy

Shortly after the allotted time the first guest to arrive is a disheveled Wynne (Victoria Miles, in delightfully dippy splendour) who has been knocked off her bike in the fog. Paige is more concerned about the fact that Wynne arrived without her partner, a notable politician who has in fact just
run off with a younger model, which puts her seating plan out of sync.

Lars however moons over Wynne, an old flame from university, who has read, reread and inwardly digested his book, now putting his ideas into practice, particularly when deflecting "negative influxions”.

Last official guests to arrive are molecular biologist Hal (Matt Fell in an obviously forced jovial mode) with his new wife, "news-babe" and "sexpot" Sian (a gloriously snooty Katy Corrie) who have already discovered the best way to wind each other up and bring a frosty atmosphere with them, alongside the obligatory bottle of wine.

Before the food is served, however, there is a ring on the doorbell and the waiter ushers in a bloodied stranger (convincing liar Mike, played by Chris East) who has crashed his van into a ditch in the fog and wants to borrow their phone to call his breakdown company.

Primordial Soup

Paige is determined to have him frogmarched out of her home but Lars insists he should be welcomed and, since he'll obviously have to wait some time for the rescue service and considering there's an empty seat, invites him to join them for dinner. All the elements are now in place, with slight adjustments, for Paige's highly choreographed dinner party to begin.

As the various courses; "Primordial Soup", "Apocalypse of Lobster” and "Frozen Waste" arrive and the glasses are constantly refilled the characters are forced into revelations, culminating in Paige's instruction to the waiter to carry out the final part of her orchestrations.

His one line, explaining that he only takes the wages of a waiter, closed the play in a suitably mysterious manner.

Full of black comedy, such as the moment we discover that it was actually Hal whose car ran Wynne off the road, and a sense of menace, engendered particularly in the scene changes when the chandelier turned red and an ominous drone sounded, this was a slick and stylish production well played by all and deftly directed by Tamsyn Payne, not easy when the main action of the play consists of six guests sitting round a dinner table.

Another triumph in a great season of plays presented by Masque.

A scene from Dinner

Preview: 'Let the dinner from hell begin'

Tamsyn Payne | director

'It's my creation – like Frankenstein's monster.'

An artist, a scientist and a sexpot are coming to dinner.

Paige, hostess extraordinaire, is celebrating the publication of her husband's bestseller.

The arrival of Mike, marooned in the foggy lane after crashing his van, provides an unexpected addition to the evening's entertainment.

A silent waiter, sourced from an obscure website, completes the picture.

Primordial Soup is the first on the menu – let the dinner from hell begin.

Masque Theatre's production is directed by Tamsyn Payne, whose shows for the group include Arsenic & Old Lace (2014), Les Liaisons Dangereuses (2007), Dying For It (2010) and Arabian Nights (2012).